beatswan41

 Location: Khwakan, Kabul, Equatorial Guinea

 Address:

 Website: https://pastebin.pl/view/63834aba

 User Description: We all remember our history lessons. In these lessons people did go to concerts to be able to encounter music. We perform still do that. But we have much more options. For a few bucks we can listen the music we wish. What started with vinyl did pass cassette and CD to MP3 and Spotify. But do we really enjoy music when we pay attention it on these contemporary music carriers? Yes, apple music for artists is good when you listen a melody From Elvis on your own high end audio system. It might actually be connected to your plasma Television en also show some visuals. But his music is produced and created by professional who modified the music from what they think it must be. So some kind of producer is thinking for all of us, and for Michael Jackson, ACDC, The Beatles etc. Is that right, why would we not really pay attention to the music in the way the artist wants it to hear? Music enjoy it was designed to be. Not from headphones and your mobile phone, yes that music is sensible.But it really is no great experience. This is the reason for the rice of vinyl. People desire to see the sound again. Which is what is happening when you listen from vinyl. As soon as you proceed through your records, you start to currently enjoy. When you than place the LP and place the needle, you are primed for a few great knowledge. And than comes the masterpiece, the vinyl sound itself. No studio methods or remastered audio. The pure sound like the artist meant it. The turntable will give the music a tiny swung making is certainly recognizable as produced from a record. With the focus on classic and retro currently, the turntable is hot again. Many people are again searching for records in outdated and dusty shops, going right through big wooden crates packed with records. For around a 100 dollars you can buy yourself a decent looking record participant. But is certainly that the reason you need one? I would advice not going for that retro appearance, but also for the timeless audio.For example, BMG Music Golf club and Columbia House were offering CDs and audiocassettes right to their club users at lower costs. The success of this concept showed a have to reduce the cost by increasing transactional efficiency. Furthermore, to reduce the cost of advertising and distribution, music was sold as a collection within an album of many solo music or instrumental pieces, forcing artists to develop several tracks to make their music commercially viable. This practice invariably led to inclusion of several "not-so-good" music and/or instrumentals in an album. This also pressured buyers to get an album in order to get a couple of songs or musical bits of their choice. Under this framework, the most dominating force in the industry was the major music labels. Labels control huge power by controlling major marketing and distribution stations and by binding their performers to long-term contracts. Having very limited usage of marketing and distribution stations, most emerging artists cannot compete by themselves. They either end up becoming a member of a label or stay small in a distinct segment marketplace. This allowed music companies to walk away with the lion's talk about of income.The pre-digital technology reinforced the separation between professional artist and the audience. A successful artist needed not merely imagination and skill but also access to the tools of creation - studios, cams, mixers etc. - and channels for mass distribution. The music business grew and dominated through the economy of level.They could spend huge amount of money to make and market blockbuster hits, to get them played on the radio and MTV. The last big expansion of the music industry began in the past due 1950s once the record product sales grew rapidly throughout the industrialized countries and the phonogram or the record player became an established medium worldwide. World sales of recorded music (vinyl records, cassettes & CDs) steadily elevated following the slump in 1979 from approximately $12 billion in 1981 to $29 billion in 1992. But sales of vinyl albums and singles nose-dived with the introduction of a new format - the compact disc.

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