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 User Description: The innovative team behind HBO’s hit series “Insecure” includes a lot to celebrate at the moment: The fourth season of the comedy nabbed eight Emmy nominations, including best comedy series. So when creator Issa Rae, director Prentice Penny, actor Yvonne Orji and music supervisor Kier Lehman joined the Variety Streaming Area for a special conversation recapping the season, it’s apparent that they’re prepared to party. “Obviously, the entire cast, we’re all very hyped,” Rae said of the Emmy love. Furthermore to Rae’s second lead actress nod, the team is also celebrating first-time nominations for Orji and Lehman. “I need a do-over,” Orji chimed in. “We’re likely to have to redo this - all of the parties. Penny added: “I feel like we should do what NBA will. I feel like all of the Emmy nominees should simply visit a bubble, simply kick it in a bubble … But all jokes about the digital ceremony apart, the group acknowledges that the Emmy life represents the fact that voters and viewers have embraced the need for the display’s central romantic relationship between Issa (Rae) and Molly (Orji) and the work of both celebrities to drive it home.“Insecure” Period 4 also aired during the start of the coronavirus pandemic, with many supporters stating the HBO comedy series offered a good reprieve from the real-life stressors of that time period. Especially when audiences got onscreen drama to focus on as Issa and Molly’s friendship fell aside, with small slights leading to a big blow-up midway through the season, after which it had been unclear if the two would ever be friends again. The “Insecure” group crafted the storyline in a distinctive way, dropping a bombshell in the opening minutes of the premiere that Issa “doesn’t actually f- with Molly any longer,” before going back to explain the way the close friends fell out. As showrunner, Penny detailed the way the authors ratcheted up the strain before that breaking point. “Because we front-loaded it with a mystery, the viewers, in a good way, was keyed directly into want to start to see the clues,” Penny explained, highlighting the way story shifted between the points of look at of the primary characters for the first episodes.“We did it predicated on who we were ending the episode on. The group also used the timeline to add suspense. “Every show, it was like ‘How perform we continue steadily to dial it up past where it really is? ’” he continuing. “And in a blessing, the viewers on Twitter continuing to ratchet it up by firmly taking sides. “That was a blessing for you personally? ” Orji jumped in, teasing Penny. “You allocated that as a blessing? In the event you missed it, when it found the audience picking sides this season, Orji bore the brunt of the sociable media hate for Molly’s “bad behavior,” while enthusiasts sided with Rae’s Issa Dee. “I hardly ever really consider how social media is going to react to certain tale lines because I feel like, we’re trying to integrate it and specifically trying to keep it clean and just trying to tell the best story.So, when I found the response to event one I was want, ‘Damn, they’re going really hard on Molly, they’re so smart, like they see where we’re going.’ I was like, ‘It’s likely to end up being interesting to see what they think event two. We got a small amount of leeway, nonetheless it was still like, ‘No, no. F- her.’ We was like, ‘Oh, that is intense,’” Rae recalls. Rae also shared the way the music of “Insecure” put into the tension of the storyline. “This season was particularly unique where music was worried because we surely got to do a writing camp this year. So we got to have artists create songs based on the themes of the show,” Rae said. In many ways, the music of “Insecure” serves as its character. With Streaming Music at the helm to greatly help the team find the music that fits the storyline best, he uses tracks to introduce new artists or incorporating Rae’s must-have throwback tunes. One needle drop that got supporters spinning this season was the usage of Mya’s 2000 strike “Case of the Ex” - which hinted at the eventual, albeit short-resided, reconciliation between Issa and her ex-boyfriend Lawrence (Jay Ellis).But the season finished with the Tyler the Creator track “Are We Still Close friends,” which underlined the lingering queries about the continuing future of Issa and Molly’s friendship as both friends meet up at a restaurant to talk out their distinctions. “He’s a quintessential artist for us,” Lehman added. “One of these performers that’s L.A., independent to the core, fresh, and representing this youth and new movement of R&B and the L.A. ’s asking the question that we’re all wondering by the end of the season, ‘Are we likely to still be close friends? Are we still close friends? ’” Rae stated. “It simply felt perfect in order to book end the growing season with Tyler - we opened with him and we surely got to close with him. And even though Issa and Molly come back to the table to wrap up the season, that doesn’t mean that everything will end up being smooth sailing to get the best friends when the show returns because of its previously-announced fifth outing, especially for Molly. “We’ve been circling around each other in just getting familiar with the old way of how we used to become. We’re all developing. And switch is hard,” she continuing, adding, “I want to see Molly happy, generally, just happy. In like and life, at the job, I want her happy. Is that too much to ask? But considering back to tips Penny offered her at the start of the display, it might be an excessive amount of. “You said, ‘Happiness does not sell displays,’” Orji exposed, repeating the showrunner’s words back to him. For Rae’s take on the friendship continue, “It looks ideally filming without masks. It looks like hopefully figuring out how exactly to shoot this year,” she says.